Curriculum Vitae.

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Mike Phillips. C.V.

i-DAT. University of Plymouth Drake Circus Plymouth PL4 8AA Devon UK

tel:	++44-01752-232549
fax:	++44-01752-232540
mob:	07971993023
eml:	mikedotphillipsatplymouthdotacdotuk
www:	http://www.i-dat.org
Born:	1962. 30/06, Solihull, West Midlands, UK.
Nationality:	British.

Qualifications:
1987.	Higher Diploma Fine Art (HDFA), Mixed Media, Slade School of Fine Art, University College, London.
1985.	UMASS Scholarship, University of Massachusetts, U.S.A.
1984.	BA Hons, Exeter College of Art & Design. (2.1).

Responsibilities:
Now:	Director of i-DAT [Institute of Digital Art & Technology]. Head of the Nascent research group [http://nascent-research.net]. i-DAT Subject Group Leader]. School of Computing, Communications & Engineering (SoCCE) representative on Faculty Board, Faculty of Technology. BroadBand4Devon Project Committee. Planetarium Redevelopment Group. Appraiser for 8 staff. Plymouth Media Partnership Steering Group. Board of Directors, SCAN – The Southern Collaborative Arts Network. Creative Partnership Plymouth Advisory Group. 'Digital Collaborations' Project (Watershed, Plymouth Arts Centre, Arts Council South West, Creative Partnerships, i-DAT).
Then:
2000.	Founder and Director of the Institute of Digital Art and Technology, University of Plymouth. Funded by ERDF Award £11,640, HEIF/RDA Award £38,774 and ESF & HEROBIC Award £116,406.
1999-02.	Programme Manager of MSc Digital Futures, an OnLine Masters course in digital media. Course development and validation.
1997-04.	Deputy Director of STAR (Science Technology and Arts Research) PhD Supervisor / researcher. The STAR research group became i-DAT on the demise in 2004 of CAiiA- STAR Integrated PhD Programme, which became the Planetary Collegium.
1997-2004	Interactive Media Subject Group Leader, School of Computing, Faculty of Technology, University of Plymouth. Became i-DAT in 2004.
1994-98.	Staff Development and Industrial Courses: Discovering Multimedia, Exploring Multimedia, Producing Multimedia. A variety of short courses delivered by satellite.
1992-97.	Programme Manager, BSc (Hons) MediaLab Arts. School of Computing, Faculty of Technology, University of Plymouth, Drakes Circus Plymouth.
1989-92.	Lecturer Media (New Technology), Full time. Exeter Faculty of Arts & Design, Polytechnic South West. Specific responsibilities for coordinating: Media Technologies, 3rd Yr Fine Art 4D (film & Video).
1988-89.	0.5 Full time Lecturer Film, Video, Publishing, Department of Arts Communication, Exeter Faculty of Arts & Design, Polytechnic South West. P/T lecturer - Media/Time Base, North Devon College of F.E.
1987-89.	Fellow and P/T Lecturer on: Publishing & Book Production (Postgraduate); Film & Video (Fine Art B.A.);Photo/TimeBased (BTEC); CAD, 3D (B.A.). Exeter College of Art & Design.
1985.	Teaching Assistant In Narrative & Documentary Video module B.A. & M.A. students, Faculty of Fine Art, University of Massachusetts.

Curriculum Development:
2004-...	External Examiner MA Interactive Media Bournemouth University.
2001-03.	External Examiner BSc Multimedia Technologies. University of Greenwich (including one changeover year for SE Essex).
2000-03.	External Examiner BA Multimedia. University of Wales College Newport.
2001-03.	External Examiner BA and BSc Multimedia. Faculty of Applied Design & Engineering Swansea Institute. University of Wales.
1999-2001	Partner College Liaison Digital Media related subjects.
1999.	Founding member of STAR (Science, Technology, Arts Research) Centre in collaboration with CAiiA (Centre for Advanced Inquiry in the Interactive Arts.
	Electronic Delivery Management Group.
	TSL funding for the 'Virtual Advisor'. WWW based industrial liaison between students / staff / industry. (£5,000).
Various validation panel as Chair, external and internal member at Postgraduate, Undergraduate, Foundation Degree, and HND level. Including...
2004.	MA Contemporary Film Practice, Faculty of Arts University of Plymouth.
2002.	MA Media Art Digital Debates, Faculty of Arts University of Plymouth.
	BA Digital Art & Design, Faculty of Arts University of Plymouth.
2000.	MSc Digital Futures. Programme development and validation.
1999.	HND Multimedia, Cornwall College. HND Multimedia and Sound Engineering, Truro College. HND Multimedia, Plymouth College of Art and Design.
1998.	BA (Hons) Cultural Practice, Exeter Faculty of Arts and Education, University of Plymouth.
	Course Development/Validation of BSc (Hons) Multimedia Production and Technology, School of Electronic Communication and Electrical Engineering, Faculty of Technology, University of Plymouth.
1992.	Course development/validation of BSc (Hons) MediaLab Arts, School of Computing Faculty of Technology, University of Plymouth.
1991.	Course Development/Validation of Postgraduate Diploma in Publishing and Book Production. Exeter Faculty of Arts and Design, Polytechnic SouthWest.
1989.	Course development/validation team of BA (Hons) Media Combined Arts, Exeter Faculty of Arts & Design, Polytechnic SouthWest.

Research Supervision:
PhD Supervision:	Current students as DoS: 3. As other supervisor: 9. Completions to Date: PhD's 4
Post-doctoral research support team:
	Dr John Matthias, University of Plymouth (2005-) Prof. Fraga,T. University of Brasilia, Brazil (1999-2000).
Visiting Researchers in Residence supervision:
	Luisa Donati, Federal University Campinas, Brazil (2002); Carlos Fadon, Federal University São Paulo, Brazil (1999).
UNESCO-Aschberg Lauriats supervision:
	Martha Patricia Nino Moica, Columbia (2004) Krotoszynski, L. São Paulo, Brazil (2002). Verde, L. , Porto Alegre, Brazil (2000).
Research Assistants:
	Adam Crowe (2004-) [Liquid Press]. Benji Rogers (2004-) [Liquid Press]. George Grinsted (2002-04) [Arch-OS]. B. Aga (2003-04) [Arch-OS].

Research & : Grants:
2005	3 year PhD Studentship, funded by Creative Partnerships. £49,394. With Chris Speed.
2004.	Aim Higher Widening Participation Workshops Funding. £8,000. Proof of Concept funding University of Plymouth for the development of Arch-OS, Architecture Operating Systems. £5000. Project start 10/0704.
2003.	Global Feed. Arts Council England/AHRB Arts and Science Research Fellowships 2003. Places the Artist Peter Fend in i-DAT in collaboration with. Dr Guido Bugmann, Dr Samantha Lavender, Professor Stephen Hughes, Professor Roy Ascot, £35,000. Project director Mike Phillips. 09/03. University of Plymouth Faculty of Technology internal research capital for Portland Square Cybrid Project. £17,000. With Eduardo Miranda. Proof of Concept Funding, Dartington College of Art. Liquid Press collaboration Performance Research 9:2 'On the Page' Artist's Commissions. Application by Ric Allsopp. Total grant £10,000. Liquid Press allocated £5,750.2001
	Am-I-able Network: International Participant with the Am-I-able Network led by Simon Fraser University. The Network is pursuing research focused on enabling new modes of expression and experience of culture through the use of ambient intelligence technologies. The goal of the Network is to focus the interdisciplinary efforts of Canadian researchers and research-practitioners from art, design, communications, sociology, computing science, engineering and other disciplines in order to develop a research program that responds to the impact of ambient intelligence technologies on aspects of cultural activity. The project is funded through a grant by the New Media Research Network fund at Canadian Heritage. Participants include: Banff Center for the Arts, Concordia University, K3 Malmo, V2 and Art Institute London.
2002.	Funding for the development and installation of the Arch-OS 'Cybrid' project for the Portland Square development from the University of Plymouth and the Peninsula Medical School. (£25,000 hardware, £5000 Research Assistant).
2001.	NOF -digitise National Programme. Lead organisation: The Council of the City of Plymouth, with partners i-DAT The Theatre Royal, The South West Film and Television Archive. £83,000. Liquid Press/i-DAT £18,000 . Faculty of Arts and Humanities, QR funding research grant for the Liquid Press. £8,000. With Geoff Cox. University of Plymouth Faculty of Technology internal research capital for transmedia publishing (Liquid Press) hardware. £8,000).
2000.	Spectactor project funded by the Digital Arts Development Agency. (£2,000).
	Sci Art grant for the STI Project (Search of Terrestrial Intelligence). (10,000).
	Autoicon Project funded by Arts Council of England and inIVA. (£10,000).
	PIM (Peninsula Interactive Media Association), To establish a new media network (£30,000 ERDF). with Bennett, J.
1999.	EPSRC CASE studentships in collaboration with AA Multimedia Publishing Department, £24, 000.
1998.	TSL (University of Plymouth) funding for the 'Virtual Advisor'. WWW based industrial liaison between students / staff / industry. (£5,000).
1994.	European Social Fund, Horizon Grant to develop CD multimedia training for disabled students to NVQ IV. (£50,000).

Presentations & Texts, etc:
2005.	Invited Presenter for Buro Happold Consulting Engineers (www.burohappold.com) Multi- disciplinary Engineering Workshop. “This Conversation can server no possible purpose”. London, 03/03/05. Invited Presenter for Torquay Museum. “ A Significant Other”. Torquay, 15/02/05.
2004.	The DVD supplement and the Liquid Reader™ interface (Version 2.1 for MAC OSX/Windows) were jointly developed by i-DAT/Liquid Press, Performance Research e- Publications and DeMo, and were designed and mastered by Adam Crowe, Mike Phillips and Joe Phillips. This ‘On Civility’ DVD supplements Performance Research Vol.9, No.4 ‘On Civility’ (2004) ISSN 1352-8165 / ISBN 0-415-34737-8 'Models of Power (the secret lives of buildings)'. Phillips M. Consciousness Reframed 6: QI and COMPLEXITY - 24 - 27 November 2004. Beijing China. Programme Committee, Consciousness Reframed 6: QI and COMPLEXITY - 24 - 27 November 2004. Beijing China. Planetary Collegium, The Digital Media Studio, Central Academy of Fine Arts, The China Electronic Music Center, Central Conservatory of Music, Department of Digital Art and Design, School of Software, Peking Univ. The Institute of Digital Media, Beijing Normal Univ. Phillips, M. Soft Buildings. Technoetic Arts, A Journal of Speculative Arts. Vol 2, Number 2 - 2004. Intellect Ltd. ISSN 1477-965X. pp 99-108. . 'read/write/fold' Phillips M, Speed C, Montandon A, with Dent E. Performance Research Vol.9, No.2 'On the Page' (2004) issn 1352-8165 isbn 0-415-34737-6. Liquid Reader(tm) v1.1. DVD Suppliment. Jointly developed by i-DAT/ Liquid Press, Performance Research e-Publications and DeMo. Liquid Reader(tm) v1.1 produced by the Liquid Press, an i-DAT (Institute of Digital Art & Technology) research project. 'On the Page' DVD supplements Performance Research Vol.9, No.2 'On the Page' (2004) issn 1352-8165. P. Anders, M. Phillips. 2004. ArchOS: An operating system for buildings. In proceedings of the 2004 AIA/ACADIA Fabrication Conference, Cambridge and Toronto, Ontario, Canada. Nov. 8-13, 2004. pp. 282-293. ACE/AHRB Network meeting, Kings College, Cambridge. 10/07/04 Interdisciplinary Design Workshop 3. Social property and New Social Forms, an Experiment in Interdisciplinary. Refashioning Patents: scientific research and the public domain. The Old Kitchens, Girton College, Cambridge. CRASSH. 9/07/04 Referee for Biennale of Electronic Arts Perth 2004 Conference Perceptual Difference: Vision Systems. www.beap.org Softbuildings: 'Pyschometric Architecture', Buildings That Go Bump in the Night'. Festival Ciber@RT Bilbao 2004, Challenges for a Ubiquitous Identity, Bilbao [http://www.ciberart-bilbao.net/]. Planetary Collegium. 29/04/04 CeBit: UK@ Stand, Hall 5, Stand F04 at CeBIT 2004, Hanover, Germany. Future Park Pavilion, UK Research and Innovation. Arch-OS represents the South West of England Regional Development Agency at the Future Parc. 18 - 20/03. 'Soft Buildings', invited presentation to NMSI at the National Museum of Science and Industry, London. 5/02/04.
2003.	Construçóes Interativas. Phillips.M. Redes Sensoriais. Arte, Ciência, Tecnologia. eds Maciel, K. Parente. A. Contra Capa Livraria, Rio de Janerio. 2003. ISBN: 85-86011-74-6. pp149-155. (30/11/03). 'Soft Buildings'. Phillips, M. Centro Dragáo do Mar de Arte e Cultura (Fortaleza - Ceará, Brazil. Organised byProfessor Katia Maciel, N-Imagem, Escola deComunicaçáo, Universidade Federal do Rio de Janeiro. (29-30/11/03). 'All that is solid melts into ... Liquid Media'. Dept Computer Science. ETH Zurich. CH 8092 Zurich, Switzerland. Invitation to present from Prof. Moira Norrie. (03/11/03). Opening of Portland Square Cybrid Project. 'Arch-OS v1.1 [Architecture Operating Systems], University of Plymouth, Peninsula Medical School. (15/07/03). 'Arch-OS v1.1 [Architecture Operating Systems], Software for Buildings'. M. Phillips and C. Speed. 5th International. CAiiA-STAR Research Conference and Workshop. Consciousness Reframed 2003. (02/07/03). 'The Liquid Press'. Phillips, M. Presentation at Publishing Unstable Media public forum at Exeter tEXt Festival 2003. Sponsored by Performance Research and Performance Writing at Dartington College of Arts. Auditorium Exeter Arts Centre. (03/05/03). "This conversation can serve no purpose any more. Goodbye." 'Digital dialogue with a significant other'. Nomadische Grenzüberschreitungen / (nach) denken über kunst. Nomadic Transitions / thinking about art. Kunst und Forschung. 10.-12. April 2003. University of Art and Design Zürich. Hochschule für Gestaltung und Kunst Zürich (HGZ) www.nomadic-transitions.ch. (10/04/03).
2002.	'Auto-Creativity V1.5: A slash and burn transmedia compression codec for artists and designers'. M. Philllips. Teaching in a Digital Domain. Innovation, A National Symposium - Part 3 in collaboration with Forum for Electronic Arts Research (FEAR) Australian Council of Universities of Art and Design Schools (ACUADS) in collaboration with the Australian National Coalition of Creative Arts (ANCCA). Technology Park, CSIRO Theatre. Curtin University of Technology, Perth, Australia. Part of the BEAP [2002 Biennale of Electronic Arts Perth]. (11/07/02) Generative Media. CAiiA-STAR Symposium, John Curtin Gallery, BankWest Theatre. Curtin University of Technology, Perth, Australia. Part of the BEAP [2002 Biennale of Electronic Arts Perth] (06/07/02). The Search for Terrestrial Intelligence. M. Phillips (S.T.I. Consortium). 4th International. CAiiA-STAR Research Conference. Consciousness Reframed 2003. Curtin University of Technology, Perth, Australia. ISBN 1-74067-272-0 Part of the BEAP [2002 Biennale of Electronic Arts Perth] (02/07/02). 'The Search for terrestrial intelligence.' Poster. Toward a Science of Consciousness - Tucson 2002" The Center for Consciousness Studies at the University of Arizona. April 8 - 12, 2002 Tucson, Arizona. Published in theconference proceedings. (08/04/02). 'Transmedia Publishing'. Phillips, M. Presentation at Digital Publishing/Broadcasting Conference at i+DAT[A]: Instituting Data Exposition, Sherwell Centre, University of Plymouth, UK. (11/04/02). i+DAT[A]: Instituting Data Exposition. Organised by i-DAT. Sherwell Centre and Babbage Building, University of Plymouth, UK. (9-13/04/02). 'From Hypelink to Hyperbole'. Phillips, M. Presentation for Devon Arts Forum Conference. Organised by South West Arts. Ilfracombe, Devon. (27/02/02).
2001.	'Narcissus v1.0'. The Search for Terrestrial Intelligence. SciArt Symposium presentation at Creating Sparks Conference, Royal geographical Society, London. 'Psychometric Architecture'. Phillips, M. V01D. Eds, C. Speed, G. Grinsted. Produced by The Institute of Digital Art and Technology, Plymouth Arts Centre, limbomedia and Digital Skin. ISBN 1 84102 087 7 (07/07/01). From Networking to Nanosystems a Series of Digital Dialogues and Debates, CAiiA- STAR in collaboration with ucdarnet, presentations and symposium "9/11: N2N conference". UCSC Santa Cruz. 'Emergent Systems' and 'Metaphoric Networks' UCLA/UC Irvine/ UCSB, Los Angeles,'Wireless Society'and 'Performance Networks' and 'Nano-technology & Culture and New Literacies'. (8-14/11/01).
2000.	'Autoicon' presentation, with Geoff Cox, in, 'Random Selection 13: New Media projects', DNet event, Lux Centre, London. 'Search for Terrestrial Intelligence' presentation with Geoff Cox, as part of Sci-Art, The Wellcome Trust, London. Phillips, M. The Sadeian Interface: Computers and Catharsis. Digital creativity, 2000, Vol.11, No.2, pp. 75-78. Swets & Zeitlinger. 'Autoicon', CD-Rom, produced with Geoff Cox, software by Adrian Ward, published by inIVA & STAR, ISBN189984631X 2000 'Un pellegrinaggio attraverso 'tyme and space'. E-NAISSANCE, New configurations of mind, body, and space. è una conferenza internazionale organizzata da Fondazione Fitzcarraldo e CAiiA-STAR, in collaborazione con la Regione Piemonte e la Città di Torino. Multi-user VRML Environment fro Teaching VRML: Immersive Collaborative Learning, Vladimir Geroimenko and Mike Phillips. Information Visualization IV'99, ed Banissi et al. IEEE . 14-16 July London.
1999.	The Sadeian Interface. Computers and Catharsis. CADE 99(Computers in Art and Design Education), 7-9April, University of Teeside. Multi-User Collaborative VRML Learning Environment. A Dream Building: a Diagram of a Mechanism of Learning. M. Phillips and V. Geroimenko. CADE 99 (Computers in Art and Design Education), 7-9April, University of Teeside. Mr Zellaby's Mission. "The strangers came today, and it looks as though they're here to stay." CADE 99(Computers in Art and Design Education), 7-9April, University of Teeside. Futurs émergents: Rencontre Arts/Sciences/Nouvelles Technologies, 12 ET 14 April 99, Friche de la Belle de Mai Marseille. Presentation. CYPRES, Centre Interculturel de Pratiques Rechereches et Echanges Transdisciplinaire. Presentation. Futurs émergents: Rencontre Arts/Sciences/Nouvelles Technologies, 13 April 99, Grenier á Sel Avignon.AVIGNONNumérique /LES MUTALOGUES Knowledge Management Group 'Online Learning', Presentation, Dartington Hall, 18 Feb. 'New Media - Alien Invasion'. Keynote presentation, UCAS, Media Studies Conference, Looking Towards the & Millennium, 2000 and Beyond, Birmingham, 3 Feb.
1998.	Designing 'MEDIASPACE' through the WWW, Satellite, and Print., ICCC/IFIP Electronic Publishing '98, The Central European University, Budapest, Hungary. Thinking Through Asynchronous Space, Consciousness Reframed 98, UWCN. "Stable Encoding of Robot Trajectories using Normalised Radial Basis Functions: Application to an Autonomous Wheelchair" 29th International Symposium on Robotics Advanced Robotics: Beyond 2000. Bugmann G, Koay K, Barlow N, Phillips M, Rodney D. Design Issues for Interactive Drama submitted forpublication at HCI 98, Jagodzinski P, Livingstone D, Phillips M, Rogers R, Turley S. Simposio Futuros Emergentes, Arte en la Era Post-Biologica., Dipatació De València, Centre. Presentation. Cultural La Beneficència, Valencia Spain. December 4-5. Presentation. Organised the CAiiA-STAR INTERSTICES Symposium, 'The Architecture of Consciousness', at Port Eliot House, Cornwall.
1997.	Presenter at NVRCAD workshop 'Teaching VRML and Java in Art and Design education', CADE (Computers in Art and Design Education), University of Teesside. Models for Multimedia Design: An interactive drama metaphor for the rehearsal of complex social choices. Overview Paper at the Computers in Art and Design Education Conference (CADE'97). University of Derby; April 1997. Rogers, Jagodzinski, Phillips. Interactive Drama: a tool for Humanistic Learning.Paper at the Computer Aided learning Conference (CAL'97) University of Exeter; March 1997. Ed Linda Baggot. pp 249-257 ISBN-850-68-188X, Rogers,Jagodzinski, Phillips, Turley. "Wire - Mediaspace": Converging technologies fordistance learning in multimedia. Computer Aided learning Conference (CAL'97) University of Exeter; March 1997.Vranch, Phillips and, Winders. Models of Knowledge, Learning and Representation for Multimedia Learning Environments. In Bell, C., Bowden, M., anf Trott, A. (Eds.) Implementing Flexible Learning: Aspects of Educational and Training Technology XXIX. London: Kogan Page. Jagodzinski, A.P., Phillips, M., Rogers, T. and Smith, C.
1996.	Cyberbaby', Hallo Bonjour', and '...The Humming of Strings'. Mike Phillips, Steve Roberts. MEDIASPACE2, Intelligent Tutoring Media Journal, Vol 6 Numbers3/4. The Arc: A Digital Collaboration. Paul Honeywill, Mike Phillips, Adrian Vranch. Monthly Design, Design House in Seoul. Vol 199602 The role of cultural and social issues in software engineering in a multimedia learning environmentfor the disabled. 4th Annual Conference on theTeaching of Computing. CTI Computing, Dublin City University. Jagodzinski A P, Phillips M G, Blackwell G. Tempus Project Bulgaria. Training of University staff-multimedia and Internet technologies. Sofia University, University of Rousse. Edited, designed produced MEDIASPACE2 section Intelligent Tutoring Media Journal, Vol 6 Numbers3/4 January. Editorial Advisory Board Digital Creativity, The official CADE (Computers in Art and Design Education) journal. INTER-ARC Conference, Vigo Spain. Collaborative Multimedia Satellite Transmissions.
1995.	The Edit, Montage and Temporal Design in Multimedia, MEDIASPACE/Intelligent Tutoring Media Journal, Vol 6 (Editor). IOPT Club, Praxis, London,'Hype or Reality'. Presentation. Converging New Technologies for Art and DesignEducation Paul Honeywill, Mike Phillips, AdrianVranch. Digital Creativity University of Brighton. The Virtual Studio: Collaboration Through DigitalNetworks. Paul Honeywill, Mike Phillips, Adrian Vranch. Intelligent Tutoring Media Journal, Vol 6. Network 2000 Conference. Plymouth. 'From Hyper-Tension to Multi-Mediocrity. Colloquium, Computing & the Humanities, Exeter University Computer Science Dept. VISIO CONFERENCE:13e Expolongues SalonInternational des langues. 28 janvier 1er fevrier 95, Grande Halle de la Villete Paris. ISDN video conference presentation in collaboration with Apple UK, Apple France and the French Ministry of Education.
1994.	Vaasa Hypermedia conference. Applications formultimedia and Satellite. Phillips, Vranch Jagodzinski. Multimedia Applications lecture by Satellite toKharkov Institute of radio Electronics and SophiaTechnical University.
1987 -92.	Development of Computer Networks (using: E.A.R.N & J.A.net) for the use of international Art institutions.Audio/Visual Computing Research Group, Slade School of Art, Computer Science and Photogrametry at UCL

Exhibitions:
2004.	'Psychometric Architecture'. QI and Complexity - 24 - 27 November 2004. Red Gate Gallery, Levels 1 & 4, Dongbianmen Watchtower Chongwenmen, Beijing, China. Portland Square Plymouth University, The Digital Media Studio, Central Academy of Fine Arts, School of Software and Peking Univ. The Institute of Digital Media, Beijing Normal Univ. Three location telematic video system.
2003	Constellation Columbia", prototype monument for ‘Dead Astronauts’. zero gravity work for Parabolic flight from the Gagarin Cosmonaut Training. Centre, Russia. Courtesy of The Arts Catalyst: MIR Campaign 2003, Gagarin Cosmonaut Training Centre, Russia. MIR Campaign 2003 supported by the European Commission Culture 2000 Fund. Many thanks to Nicola Triscott.
2001.	'Where a Space Once Was'. Phillips, M. For V01DExhibition, Plymouth Arts Centre. Part of Architecture Week. 22/06-22/07/01 'Artefact' A production by Model (M.Phillips, G. Cox, G. Baldwin, V. de Rijke, H. Hollands, J. Roberts, with support from inIVA, i-DAT, Middlesex University, V&A). Digital Responses series of exhibitions in Gallery 70 at the V&A, May 16 2002 to 12 February 2003 at the Design Now Space: 20th Century Gallery 70, at the Victoria and Albert Museum, London. 05-06/01 Search for Terrestrial Intelligence, part of Landscape Trauma, Autograph touring show, Leeds Metropolitan University Gallery. 11-12/01. 'Search for Terrestrial Intelligence', STI consortium, as part of 'Landscape Trauma', Autograph Touring Show, Café Gallery, London. 'Autoicon' CD-Rom & website (collective), exhibition to accompany conference, 'Race and Digital Space',Massachussetts Institute of Technology, USA. 'Autoicon' CD-Rom (collective), part of exhibition, 'Art In Motion II', Santa Monica Museum of Art, Santa Monica CA, USA.
2000.	'Narcissus v1.0'. The Search for Terrestrial Intelligence. SciArt Symposium. Video Screening at Creating Sparks Conference, Royal College of Art, London.
1999.	GM 1, 2, 3 Generative Music Events at the Sherwell Centre, Plymouth, The Cavern Night Club, Exeter, the Cube Cinema, Bristol. Generative Music Performance, Sherwell Centre, University of Plymouth, SET99. wOw, WithOut Walls Plymouth Arts Centre. Exhibited with STAR at MILIA98, Cannes, France
1997.	Henry Moore Foundation Grant through the South London Galley, Brixton to build an installation piece (working with Dr Guido Bugmann) for Donald Rodney.
1995.	'Homo Digitalus, a Post-Modern Prometheus',Multimedia performance for SET7, Sherwell Centre, Plymouth.
1994.	Installation of 'Visceral Canker', Ikon GalleryBirmingham (D. Rodney).
1991.	Affairs of the Heart, "Cardiac pump", UntitledGallery Sheffield, with Geoff Cox. G.E.N.I.E. Global Communications Network. E.A.T. at Plymouth Arts Centre. E.A.T. Telematic Demonstration. Den Haag Summer Festival. Ars Electronica, Aspects of Gaia, Linz Austria. For Roy Ascott with Rob Pepperell. E.A.T.A.V.E. Festival. Arnhem, Holland. E.A.T. at Spacex. Spacex Gallery, Exeter.
1988.	9th European Meeting on Cybernetics andSystems Research Austrian Society for Cybernetics /medical Cybernetics & Artificial Intelligence, Vienna University. Monument to J.H. Thomas. Freetown Sierra Leone West Africa.
1987.	1'ere Bienale Des Ecoles D'Art D'Europe 87.Toulouse, France. Exhibitor and Technical Advisor. 'Cultura Digitalis' Austria Centre Vienna.
1986.	Monument for the Late C.A. Kamara Taylor.Madena Kambia Sierra Leone, West Africa. 'Structural Amnesia' Wheeler Gallery, University ofMassachusetts, Amherst, USA.

Enterprise:
2004	Proof of Concept funding University of Plymouth for the development of Arch-OS, Architecture Operating Systems. £5000. Project start 10/0704.
2003.	Arch-OS development and installation in four newbuildings belonging to the Peninsula Medical School and the University of Plymouth, across the South West of England (Truro, Exeter, Plymouth (Portland Square and Derriford Hospital). Initial installation in Portland Square funded by the University of Plymouth (£30,000). Development of Liquid Media software solutions for the Broadband4Devon, Project Reference Number: DC/THM/2200/156. European Regional Development Fund (ERDF), South West of England Objective 2 - 2000/6, With Devon County Council. Total grant £12,352,000. Liquid Media component coordinated by Mike Phillips. Transmedia Publishing TCS (KTP), with CMA Yealmpton Plymouth, TCS Programme: 4308. Proof of Concept funding from Dartington College of Art. Liquid Press collaboration Performance Research 9:2 'On the Page' Artist's Commissions. with Ric Allsopp - Joint Editor, Performance Research, Kevin Mount - Issue Co-Editor'On the Page' / DeMo Design, Mary Schwarz Director, Centre for Enterprise & Participation, Dartington College of Arts, Tracey Warr - Curator and Director, Arts & Cultural Management, Dartington College of Arts. £5,750. Project coordinated by Mike Phillips. 10/03-06/04. Liquid Press collaboration with ACE/AHRB Science Art Reseach Fellowship, Dr Rosaleen A McCarthy (University of Cambridge)and Research Fellow Wayne McGregor. Choreography and cognition: a joint research project. £5,000. Project coordinated by Mike Phillips. 09/03-07/04. Liquid press produces DARE CDROM. For the Institute of International Visual Arts. £8,000 inIVA. Project coordinated by Mike Phillips. 08/03. http://www.iniva.org/publications/index.
2001.	Applause South West. NOF -digitise National Programme. The Council of the City of Plymouth, The Theatre Royal, The South West Film and Television Archive. Liquid Press collaboration NOF Applause South West, i-DAT. www.applausesw.org £18,000. i+DAT[A]: Instituting Data Exposition, Sherwell Centre, University of Plymouth, UK. (11/04/02).
2000.	Founder and Director of the Institute of Digital Art and Technology, University of Plymouth. Funded by ERDF Award £11,640, HEIF/RDA Award £38,774 and ESF & HEROBIC Award £116,406.
1999.	Founder member of PIM (Peninsula Interactive Media Association), (£30,000 ERDF). 'The Panopticon'. C.V.E funded Project to support OnLine Learning through Multi-User VRML Environments. (£7,000)
1998.	Director of Teaching Company Scheme (Programme No. 2239), Academic Supervisor with Insight (Management Training) to develop online educational/training material. Two year project. Obtained sponsorship of the BSc (Hons) MediaLab Arts Programme from Macromedia, a significant software upgrade and the naming of the Macromedia Multimedia Studio. (Software sponsorship aprox £25,000). A Director of Interactivity. An Interactive Multimedia and Consultancy Company, a University spin off company based at the Deriford Science park. Board of Directors of DA2 [Digital Arts Development. Agency formerly Imagi@tion], Chair of the Advisory Arts Panel. Board of Directors of Plymouth Arts Centre (1998-00) Steering Committee of Plymouth City Millennium bid for the 'Peoples Story' Reflections Community Web site. Successfully awarded £100,000. Steering Committee for the Plymouth Arts Centre/Architecture Centre Lottery development. Steering Committee, Millennium bid proposal foran online educational centre at Paignton Zoo.
1996.	1996-97 WIRE (Why ISDN Resources in Education)/MEDIASPACE PROJECT, 5 interactive satellite/ISDN transmissions funded by the European Association of Distance Teaching Universities. ENGAGE HEI supervisor for The Devon & Cornwall Development International. Department of Education and Employment project implementing multimedia and Internet technology into the DCDI SME. TSB Multimedia, research, planning and policy group. Victoria House Birmingham. University of Plymouth Virtual Reality Research Group. In collaboration with Salford University. Steering Group for the development of the Plymouth Architectural Centre Millennium bid proposal.
1995.	Multimedia Demonstrator for Lintas Advertising Agency. "Intelligent Media Design/ F2F Conferencing System". Consultant for the Digital Corporate Image for Plymouth Development Corporation.
1994.	MEDIASPACE 1, 2 and 3. International Satellite conference. Editorial Advisory Board Intelligent Tutoring Media, The International Journal of Advanced Learning Technologies. Editor, Designer of MEDIASPACE sub-Journal (Intelligent Tutoring Media), Published by Intellect.
1992.	MediaLab VR Research Group, Exeter University. Exploration of Virtual Reality and its applications. Obtained ongoing sponsorship from Macromedia Europe for the BSc (Hons) MediaLab Arts Programme. Approximate equivalent of £60,000. CAD/Electronic Publishing consultant, BPCC Techset.
1990-01.	Satellite project coordinator for AVESE 92, Interactive Satellite Festival. Technical Consultant to the TSWA 4 Cities (Plymouth). Marketing and Design Consultant, Business training & Development, Birmingham. Publicity officer City Studios LTD, member of management committee. Project Director, Polytechnic Southwest Desktop Publishing Pickup initiative.

Bio: Mike Phillips:
Mike Phillips is the director of i-DAT [The Institute of Digital Art and Technology] at the University of Plymouth, and heads the Nascent research group [www.nascent-research.net]. Following a BA (Hons) in Fine Art - 4D, a scholarship to the University of Massachusetts he completed postgraduate studies in experimental media at the Slade School of Fine Art, UCL. Operating collaboratively across the digital domains of pre-WWW global computer-networking and tele/kine/audio-matic performance/installation/object [such as 'UK EAT88' and Donald Rodney - ICA/TSWA 4 Cities/'Psalms' Autonomous Wheelchair], Phillips initiated and coordinated the BSc (Hons) MediaLab Arts Programme [1992] with the support of Macromedia. More recently he founded the On-Line MSc Digital Futures programme and is now overseeing the development of i-DAT. Private and public sector grant funded R&D orbits digital architectures, transmedia publishing and generative media. Recent projects include: STI Project (The Search for Terrestrial Intelligence - SciArt), 'Artefact' (V&A), the ‘Arch-OS’ architectural operating system and the LiquidPress. These projects and other work can be found on the i-DAT web site at: http://www.i-dat.org. [169 words]